Wednesday, October 29, 2014

Helpful Links for Illustrators



Finally, enjoy these words of wisdom from Illustration Friday:

Wednesday, October 22, 2014

WIP - Marianne and Elinor


I don't usually post WIPs (work in progress) on this blog, because they feel like spoilers to me. But here's an exception.

This piece is for the upcoming Ladies of Literature Volume II anthology, a collaborative art book with the theme of female characters in literature and female authors. The organizers (Arielle Jovellanos and Janet Sung) are planning to run a Kickstarter for the book in February, and I can't post the finished illustration until then. I'm going to have busy winter so I'm getting started on this early. By February you'll have forgotten about this WIP, so I'm ok with posting it now.

I chose to depict Marianne and Elinor Dashwood from Sense & Sensibility because I liked the idea of illustrating their contrasting personalities. Technically I'm only supposed to draw one main character, and the other has to be more of a supporting character. So I'm focusing on Marianne because she's always upstaging her sister anyway.

Deciding on a color scheme is proving to be a challenge for this illustration, because I want the whole thing to have a cool English foggy tone, but I also want Marianne to be very colorful. Conundrum!

Are the open and closed books too obvious a metaphor? Definitely.

Monday, October 20, 2014

Sketches of Handsome Actors

Last night I discovered that sketching handsome actors is a pleasant way to pass the time. This is Ioan Gruffold, from the new tv show Forever.

I've been watching House M.D. lately. It's a good show to watch while drawing because it's just constant dialogue interrupted by the occasional seizure.


This is Omar Epps from House.


This is either Benedict Cumberbatch or a young Tom Hanks...I'm...I'm not sure. Whoever you think it looks more like, that's who I meant to draw.


Another attempt at Benedict Cumberbatch. He is freaking hard to draw. I suggest a new challenge: Draw one Benedict per day.

Thursday, October 9, 2014

Alternative Press Expo (APE) Roundup


Last weekend was the Alternative Press Expo in San Francisco. I shared a table with my dear friend Anna Inkyung Lee. Many of my classmates from the Academy of Art University were also there as attendees or exhibitors.


APE took place at Fort Mason, in a gigantic hangar. I was afraid that the isolated area would effect turnout, but as you can tell from the above photo, I needn't have worried. Between the hundreds of eye-catching displays, the thousands of tattooed and dreadlocked and rainbow-haired attendees, the noise and the late summer heat, it was pretty overwhelming.


The weekend was an interesting mix of ego-boosting and ego-crushing. All day long I got to hear people say "I like your art!" and "your art is beautiful!" I felt like some kind of celebrity - especially when people asked me to sign things. But there were also slow periods, especially in the mornings. At one point, 3 hours had gone by and I'd made $3 selling 3 postcards. I was starting to question my life choices. I was also very hungry.


Despite those low moments, overall my sales at APE were pretty good, similar to what I made at Spectrum. The profits didn't cover the cost of the trip, even though I was able to keep my costs down by staying at a friend's house instead of a hotel. People seemed to like my $1 postcards. I hope that someday I'll figure out a way to make these art shows more profitable, because I like doing them.


There were so many things I wanted to buy at the show! Very difficult to hold myself back. I bought these cute stickers of Liz Lemon and Leslie Knope from heymonster. I want to put them somewhere where they can remind me to work hard.


I bought this graphic novel for my brother, who is an Abraham Lincoln fan. Author/illustrator Chris Butzer drew this amazing picture of Lincoln on the inside cover, totally from memory.


Later he bought one of my art books. I drew a picture of Abraham Lincoln on the inside cover for him, even though my book has nothing to do with Lincoln. I thought I being was so clever and funny; Chris seemed mildly amused.


This was the view from the convention hall. At any time during the show we could step outside and see the sailboats go by. Amazing!


San Francisco is a beautiful city. Every time I visit I feel lucky to be there.



I plan to go to next year's APE, if I can.

Wednesday, October 1, 2014

Helpful Links for Illustrators



Monday, September 29, 2014

My Style Evolution

I thought that you guys might like to see some of my old drawings, like old stuff from art school and REALLY old stuff from childhood.

Childhood

My favorite things to draw were fairies, ballerinas, princesses, brides, dolphins, angels and swans. I enjoyed the vintage illustration in classic fairy tale books, so I tried to make my heroines slender and elegant. I wrote my own books with illustrations on each page - including my own "choose your own adventure" books, because I didn't feel like the library had enough of those.



Adolescence

My Mom gave me a book about drawing pencil portraits, and from then on that was all I did.  I mostly drew Lord of the Rings fanart and portraits of my friends. I improved a lot in drawing realism and faces, but my work lost all its imagination and narrative. I also got into anime during this time, but I believe all my early attempts at drawing anime have been destroyed, thankfully.




After college, before art school (2010)

Because I majored in Japanese, I didn't do much drawing during college and my work hadn't really evolved since high school. I stayed in my pencil portrait comfort zone. While I could draw realistically, I had no idea how to develop a scene from my imagination, relying entirely on photographs. When I applied to the Academy of Art University, they asked me to submit a portfolio. Here are some of the things I submitted.


Beginning art school (2011)

Here I began to attempt digital painting, working in color, and drawing simple backgrounds. I still used photo references but also tried to introduce some imaginary elements. Oil painting classes taught me a lot about light and color.



Middle of art school (2012)

As I took classes about perspective and environment, I was able to start drawing complete scenes. My illustrations and color schemes became more complex, and I began to be able to express some imagination.




Last year of art school (2013) to present

In my last year of art school I really felt like I hit my stride. I developed my own method of digital painting that worked for me and produced consistent results. Interestingly, my specialty is now illustrations that tell stories, and I almost never draw characters floating in space - the opposite of what I used to do. I would like to improve at drawing buildings and city scenes.



In childhood I focused on telling stories, in adolescence I focused on drawing people realistically, and as an adult I've found a way to combine those two interests.

Friday, September 26, 2014

Quote of the Day


"I avoid burn-out by refusing to be too hard on myself. I always take weekends off and I refuse to act on self-destructive thinking patterns like 'I'm not doing enough, I should be better by now, I am not as good as other artists.' The stress that these thoughts can cause is poisonous."

- Lois Van Baarle in Design Inspiration